INSTALLMENT NO. 19A
VISNINGSROMMET USF | BERGEN, NORWAY
APRIL 7 – 15. 2018
With new works by Salwa Aleryani, Sif Ankergård, Roula Partheniou, Jasmine Reimer, and Ilija Wyller presented on hand-tinted birch shelves produced by the MOLAF in response to artworks in its permanent collection.
Somewhere shortly after Geilo, view from Bergensbanen, winter 2018 (2018) by Sif Ankergård

on

Shelf No. 23 (2018) by the Museum of Longing and Failure
Hand-tinted baltic birch | 29x34x13 cm
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Design based on the geometry of the MOLAF’s 23rd acquisition; I did not survive... (2011) by Brandon Labelle
Gum and Wrapper (Hubba Bubba) (2018) by Roula Partheniou

on

Shelf No. 48 (2018) by the Museum of Longing and Failure
Hand-tinted baltic birch | 21x45x12 cm
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Design based on the geometry of the MOLAF’s 48th acquisition; Heels (2015) by Cato Løland
Nightfall sleeps, myrrh, murmur and myths bequeathed (2018) by Ilija Wyller

on

Shelf No. 50 (2018) by the Museum of Longing and Failure
Hand-tinted baltic birch | 29x35x17 cm
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Design based on the geometry of the MOLAF’s 50th acquisition; The Burning Bush (2015) by Sverre Strandberg
Work on hold (2018) by Salwa Aleryani

on

Shelf No. 47 (2018) by the Museum of Longing and Failure
Hand-tinted baltic birch | 20x66x12 cm
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Design based on the geometry of the MOLAF’s 47th acquisition; Horse and Ridlees (2015) by Mercedes Mühleisen
The Taker (2018) by Jasmine Reimer

on

Shelf No. 49 (2018) by the Museum of Longing and Failure
Hand-tinted baltic birch | 42x21x22 cm
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Design based on the geometry of the MOLAF’s 49th acquisition; Our Point of Departure (2015) by Grayson Cox


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