INSTALLMENT NO. 19A

VISNINGSROMMET USF | BERGEN, NORWAY
APRIL 7 – 15. 2018

With new contributions by Salwa Aleryani, Sif Ankergård, Roula Partheniou, Jasmine Reimer, and Ilija Wyller presented on hand-tinted birch shelves produced by the MOLAF in response to artworks in its permanent collection.

Somewhere shortly after Geilo, view from Bergensbanen, winter 2018 (2018) by Sif Ankergård

on

MOLAF SHELF NO. 23 (2018)
Hand-tinted baltic birch | 29x34x13 cm
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Design based on the MOLAF’s 23rd acquisition; I did not survive The Who Concert on December 3, 1979... by Brandon Labelle

Gum and Wrapper (Hubba Bubba) (2018) by Roula Partheniou

on

MOLAF SHELF NO. 48 (2018)
Hand-tinted baltic birch | 21x45x12 cm
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Design based on the MOLAF’s 48th acquisition; Heels by Cato Løland

Nightfall sleeps, myrrh, murmur and myths bequeathed (2018) by Ilija Wyller

on

MOLAF SHELF NO. 50 (2018)
Hand-tinted baltic birch | 29x35x17 cm
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Design based on the MOLAF’s 50th acquisition; The Burning Bush by Sverre Strandberg

Work on hold (2018) by Salwa Aleryani

on

MOLAF SHELF NO. 47 (2018)
Hand-tinted baltic birch | 20x66x12 cm
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Design based on the MOLAF’s 47th acquisition; Horse and Ridlees by Mercedes Mühleisen

The Taker (2018) by Jasmine Reimer

on

MOLAF SHELF NO. 49 (2018)
Hand-tinted baltic birch | 42x21x22 cm
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Design based on the MOLAF’s 49th acquisition; Our Point of Departure by Grayson Cox